Skip to content
The Concordian
Menu
  • News
    • Campus
    • Community
    • Nation
    • World
  • Variety
    • Class of 2020
    • Art
    • Film/TV
    • Food
    • Music
    • Theatre
    • Events
    • Sustainability
  • Sports
    • Fall
    • Winter
    • Spring
    • Professional
    • Features
  • Opinions
    • Columns
    • Editorials
    • Letters
  • Blogs
    • Politics
    • Reviews
  • Submissions
  • About
    • Staff
    • Advertising
    • Contact
    • Discussion Guidelines
  • Submit News
    • Press Releases/Articles
    • News Tips
    • Letter to the Editor
  • Staff
    • Desarae Kohrs
    • Noah Bloch
    • Ephriam Cooper
    • Sam Kalow
    • Ross Motter
    • Saige Mattson
    • Liz Komagum
    • Olivia Kelly
    • Trenten Cavaness
    • Megan Noggle
    • Morgan Holecek
    • Kayla Molstre
    • Alyssa Czernek
    • Jordon Perkins
    • Brennan Collins
Menu

Film review: “Alone” is an above average horror flick

Posted on October 22, 2020October 21, 2020 by Dominic Erickson

The final few weeks of fall tend to be the ideal time to get the blood rushing courtesy of a good horror flick. Horror may seem to some as a chore – an exercise in how much someone can stomach. Every now and again, a tasteful terror-filled title comes along, and this indie horror thrives on simplicity.

John Hyams’ “Alone” is a remake of the 2011 Swedish thriller “Försvunnen” (“Gone”) by writer-director Mattias Olsson. Olsson also wrote this American version of the original film. It was released in mid-September to video on demand.

The film follows Jessica (Jules Willcox), a young widower who is being stalked by a man (Marc Menchaca) as she travels through the forested region of Oregon.

“Alone” is stripped all the way down to bare bones in this classic “woman versus psychopath” arrangement. Both characters’ backgrounds are vague, with not much more than Jessica’s traumatic loss of her husband revealed. The story is neatly divided into sections, intertitled by the different locations the chase takes place. The musical score doesn’t shy away from the minimalist design either, with instrumentation taking a backseat to the natural sounds of the story. 

The vast majority of “Alone” is occupied only by the cat and the mouse. The two leads do not falter one bit, with both performances winning Best Actress and Actor (Feature) at the Mammoth Film Festival in March. With only a few credits to her name, Willcox is no doubt turning a lot of heads her way, and it wouldn’t be a shock to see her tied to a few more big projects in the future.

The cinematography by Federico Verardi is absolutely gorgeous. Highlights include the landscape shots in the opening act as Jessica’s Volvo tears through the winding roads of the Pacific Northwest. The tall trees add to an environment that is both stunning and daunting. 

The premise is formulaic and overall pretty predictable, but that doesn’t stop “Alone” from being an above-average horror-suspense film. At 98 minutes, the film is compact and does not allow any dragging. The environment is immersive, and even as the film is engaging, it is an easy watch that doesn’t exhaust the mind, as some modern, ultraviolent slashers tend to do. 

“Alone” is available to rent through the Fargo Theatre Virtual Cinema at https://fargotheatre.org/2020/09/22/virtual-cinema/. The Fargo Theatre receives 50% of the proceeds.

  • Dominic Erickson
    Dominic Erickson

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Latest News

  • Concordia Holds 16th annual Golden Cobbs Award Ceremony April 24, 2025
  • Laughing Through It All: A Research Conference on Suicide and Stand Up  April 24, 2025
  • Looking Back on a Legacy: Halvorson and Davies End Term with SGA  April 17, 2025
  •  A Look Inside the 2025 URSCA Symposium  April 17, 2025
  • Youth Incarceration and Depression: A Cycle of Neglect April 17, 2025
  • Getting ready for 2025 Cornstock: The 502s, Flashmob, and GG and the Groove  April 17, 2025

  • Log in
  • Entries feed
  • Comments feed
  • WordPress.org
© 2025 The Concordian | Powered by Minimalist Blog WordPress Theme